In the aftermath of the Iranian revolution, rare-gem dealer Isaac Amin is arrested, wrongly accused of being a spy. Terrified by his disappearance, his family must reconcile a new world of cruelty and chaos with the collapse of everything they have known. As Isaac navigates the tedium and terrors of prison, forging tenuous trusts, his wife feverishly searches for him, suspecting, all the while, that their once-trusted housekeeper has turned on them and is now acting as an informer. And as his daughter, in a childlike attempt to stop the wave of baseless arrests, engages in illicit activities, his son, sent to New York before the rise of the Ayatollahs, struggles to find happiness even as he realizes that his family may soon be forced to embark on a journey of incalculable danger. A page-turning literary debut, The Septembers of Shiraz simmers with questions of identity, alienation, and love, not simply for a spouse or a child, but for all the intangible sights and smells of the place we call home. Editorial Reviews From Publishers Weekly Sofer's family escaped from Iran in 1982 when she was 10, an experience that may explain the intense detail of this unnerving debut. On a September day in 1981, gem trader Isaac Amin is accosted by Revolutionary Guards at his Tehran office and imprisoned for no other crime than being Jewish in a country where Muslim fanaticism is growing daily. Being rich and having had slender ties to the Shah's regime magnify his peril. In anguish over what might be happening to his family, Isaac watches the brutal mutilation and executions of prisoners around him. His wife, Farnaz, struggles to keep from slipping into despair, while his young daughter, Shirin, steals files from the home of a playmate whose father is in charge of the prison that holds her father. Far away in Brooklyn, Isaac's nonreligious son, Parviz, struggles without his family's money and falls for the pious daughter of his Hasidic landlord. Nicely layered, the story shimmers with past secrets and hidden motivations. The dialogue, while stiff, allows the various characters to come through. Sofer's dramatization of just-post-revolutionary Iran captures its small tensions and larger brutalities, which play vividly upon a family that cannot, even if it wishes to, conform. (Aug.) Copyright ® Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks Magazine Dalia Sofer, who was forced to flee postrevolutionary Iran at the age of ten after her own father was unjustly imprisoned, captures her family's experiences in this moving, semiautobiographical tale. Citing Sofer's evocative prose, sensitive characterizations, and suspenseful plot, reviewers called Sofer's debut novel persuasive and memorable. Though she ruminates on themes of faith, love, and the heavy toll of political and religious oppression, Sofer's honesty and balanced outlook prevent the story from lapsing into sensational melodrama or lurid allegory. Her descriptions of torture, though vivid, are not gratuitously violent. A few small complaints included some contrived dialogue and Parviz's annoying self-pity, but critics agreed that these do not detract from an otherwise "powerful, timely book" (Rocky Mountain News). Copyright © 2004 Phillips & Nelson Media, Inc.