The Book of Genesis is regarded as the bedrock of Western civilization and culture, its stories and language reverberating down the centuries. The author of this translation argues in his preface that English readers have not been well served by existing translations. While the "King James" version is a work of literature in its own right, which has greatly contributed to English literature, its translators did not know the Hebrew society and language well enough to be faithful to the original. Modern translations, on the other hand, tend to simplify the Bible, aiming above all to be easily understood, and thereby losing the ambiguities of the original and its music. This translation seeks to bring the great work to life; it has extensive footnotes which aim to throw light on the language and the world of Genesis. Whereas the "King James" version inevitably changed the ancient society of Genesis into an early English one, this translation tries to convey the subtle shades of its social and familial hierarchies. In it, the characters are portrayed as real human beings, complex and flawed, with bodies as well as voices. In capturing the cadences and meanings of the Hebrew Bible, the author attempts to convey its immense literary power. Editorial Reviews Amazon.com Review The Biblical book of Genesis contains some of the most sublime poetry known to man as well as the powerful and bloody history of early Israel. Literary critic Robert Alter here joins the ranks of contemporary authors who have tried to mimic, in English, the sonorous rhythms and parallel constructions of the original Hebrew. He also supplies an insightful, fascinating commentary that emphasizes the dramatic unity of the Genesis story. For believers seeking a deeper understanding of the Bible's first book, or for readers interested in the Bible as literature, Alter's contribution is essential. From Publishers Weekly Of the making of many translations and commentaries on the book of Genesis there is no end. After all, the book of Genesis contains not only two of the Western world's most enduring myths of creation but also chronicles the history of early Israel. While past commentators like Hermann Gunkel and Gerhard von Rad were concerned with the ways in which the various literary forms present in the book of Genesis reflected the historical and theological concerns of the texts' writers and hearers, literary critic Alter (The Art of Biblical Narrative) emphasizes the overall narrative unity of the disparate textual units that comprise the book of Genesis. In his translation of the first 11 chapters, for example, Alter carefully reproduces the stylistic devices of repetition and parallelism so characteristic of Hebrew poetry, while his translation of chapters 12-50 captures the dramatic tension and characterization that are the hallmarks of Hebrew narrative style. Alter is ever attentive to the power of paronomasia in the Hebrew so that his translation of Genesis 1:1, "When God began to create heaven and earth, and the earth then was welter and waste (tohu wabohu, in Hebrew) and darkness over the deep and God's breath hovering over the waters...," attempts through alliteration to translate the lilting poetry of the Hebrew phrase. Although Alter's translations lack the sparkle and elegance of Everett Fox's translations of Genesis in The Five Books of Moses (Schocken 1995), his commentaries on the literary qualities of Genesis and his casting of the Hebrew Bible's opening book as a single narrative woven together by the threads of character and theme ensure that Alter's work will take its place in the distinguished ranks of commentaries. Copyright 1996 Reed Business Information, Inc.